Studio Verbaan stands for an intuitive approach to design, where simplicity and craftsmanship come together in objects that are as sculptural as they are functional. By placing light, texture, and materiality at the forefront, we create timeless works that continue to evolve with their surroundings.

NEW WORK

Can you talk about a new piece / collection that you release for COLLECTIBLE this year?

For COLLECTIBLE 2025, we will present ECHO, a work that explores the balance between destruction and refinement. We use ‘Shou Sugi Ban’ to char oak wood, making the surface rough and textured. This contrasts with the high-gloss lacquered side that reflects light. Both surfaces are deep black—the one absorbs, the other reflects. This interplay of light and texture creates a dynamic effect that changes with the environment and the viewer’s perspective. "Not the material, but the light gives it form."

What have you been up to recently? What are the next projects/exhibitions you wish to highlight?

In addition to ECHO, we are working on new material experiments and collectible design pieces that combine sculpture and functionality. We are exploring how tactility and finishing affect the perception of an object. We are also working on a project where charred and high-gloss lacquered oak come together in a sculptural piece. We are preparing for upcoming exhibitions and continuing to explore how traditional techniques and modern aesthetics complement each other. Additionally, we are involved in new collaborative projects—although we can't reveal too much yet, stay tuned for what’s to come this year!

THE DESIGN PROCESS

What ethical considerations guide your material choices and sourcing practices in the production of collectible design pieces?

At Studio Verbaan, we take a craft-oriented, small-scale approach. We select materials that stand the test of time, such as FSC-certified oak, and avoid mass production in our collectible designs. Sustainability, for us, means not only sourcing responsibly but also considering how an object ages and gains meaning. Techniques such as ‘Shou Sugi Ban’ extend the lifespan of the material and enhance tactility. We seek a balance between minimalist forms and rich textures, ensuring each piece remains timeless. By producing in small quantities, we maintain the integrity of each design and minimize waste. 

When designing a collectible object how do you think about its various environments where it can end up?

Our objects adapt to various spaces through their interaction with light and texture. The contrast between rough and polished surfaces allows our works to fit well in both minimalist and expressive interiors. The way light is reflected or absorbed changes depending on the environment. This dynamic play makes each piece come to life and layered. We intentionally design without rigid functions, so our objects allow for multiple interpretations and adjust to the context in which they are placed.

How do you question or challenge functionality in your design process?

Our designs occupy the space between furniture and sculpture. Functionality is not our starting point, but rather a byproduct. We challenge conventional expectations by abstracting forms and making objects multifunctional. Many of our pieces have no fixed orientation or intended use, encouraging the user to define their own relationship with the object. This creates an open dialogue between the work and its environment. It is not just a functional object but also a sculptural statement that invites interpretation and interaction.

How do you complement each other in the design and thinking process?

Our collaboration is a dialogue between technique and aesthetics. Jordi's background as a woodworker and visual artist brings technical precision and artistic intuition to the process, while Solange's expertise in photography and visual arts focuses on composition, light, and visual storytelling. This tension between craftsmanship and abstraction ensures that our designs are both sculptural, though not always functional. Additionally, we handle the communication and photography of our work ourselves, making the presentation an extension of the design process. We challenge each other's ideas and leave space for experimentation, which leads to objects with layered meaning and a tangible presence.